AUDIO
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Archbishop Peter Jensen's Christmas Message 2011 on the centrality of Jesus to human history
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Christians and other religious people seem to be known for their willingness to take offence. That’s what religious people are, by and large: people who get offended about cartoons in newspapers on behalf of their divinities. People you have to tip-toe around.
You might be aware of the stage show called Jerry Springer the Opera. It is, if you weren't aware of it, scheduled to be performed at the Sydney Opera House in 2009.
It is a vile piece and not really that good - I saw some of it when it was shown on the BBC. The premise of the opera is that the freaks (trans-sexuals, transvestites, deviants - the usual line-up) of the Jerry Springer show get translated into hell, with all the characters taking on second roles as Satan, Mary, God and so on. And so, among other things, Montel, the guy who likes to wear a nappy and soil himself, becomes Jesus. True to the original, the opera has some incredibly bad language (legend has it that there are 8,000 swear words in the script!). It has some satirical component to it I suppose (I mean, the whole Jerry Springer thing needed to be taken to the cleaners, didn't it?) but it isn’t that funny and it isn’t that clever (Bonnie Greer called it a 'twenty minute idea').
When the show toured Britain recently it was picketed by various Christian groups. There was also an attempt to have it banned under blasphemy laws.
Of course, with a piece like this which offends religious people, liberal commentators blather on about what a great work of art it is, and how important it is that it be shown. The issue of censorship is bandied about as if it is the great cause.
It is fascinating - and we should say it more often - how often the pieces that cause the most controversy are actually not great works. D.H. Lawrence's Lady Chatterley's Lover, for example, is plainly not a successful novel as a novel. Catherine Brelliat's Romance was just not a very good film. Shock and offence can be cheap artistic tricks which compromise art as art.
But is the right Christian response to get outraged and to protest? Should Christians organize a mass demonstration outside the Opera House? Our Lord is being terribly besmirched by this tawdry show. Certainly that is the right Muslim response, it seems - think of the reaction to the Danish cartoons of Mohammed.
But Christians are not those who assert their rights in this way. Surely we don’t want to participate in the protest/victimhood discourse that in the end is so harmful to our community? Surely we can speak about the hurt and (more to the point) the terrible danger of blasphemy without using the same gestures that people use to get a public hearing these days?
I think it actually damages the cause of the gospel when we pose as just another protest group in society that is making noise for its own space. If we are not convincing in showing that what we are arguing for is not the good of our own sector of the community but the good of the community as a whole, then our gospel becomes just more white noise.


If someone asks you about it, a better response is, "Oh, I was thinking about seeing that. But I heard it was really boring..."
1) As outlined by Craig above - it's counterproductive. It just gives free publicity, and allows the arts intelligensia to feel morally superior. (It would be interesting to test them out - would they be so in favour of free speech if someone wrote an opera praising views they disagree with - Pauline Hanson, the musical, perhaps?)
2) As Christians, we value the right of free speech, as it gives us the ability to openly proclaim the gospel, which is offensive. If we want the ability to offend others, we need to be able to be offended in return, even though it's difficult.
3) Lastly, we need to remember Paul's instruction in Romans 12:19: "Do not take revenge, my friends, but leave room for God's wrath, for it is written: "It is mine to avenge; I will repay". Says the Lord. We need to overcome their evil with good, and I don't think that protesting against JStO will accomplish that.
Anti-religious vilification legislation is, in my view, a disaster for free speech in this regard. The 'Catch the Fire' case was a disgrace for all concerned in the end. There were no winners.
Just imagine what would have happened if Michael encouraged people to protest?
It smells like someone rewrote the lead .. a protest that is not a protest???
We end up with a sad attempt at a beat up.
I'm glad Michael is on holidays. I think this would upset him greatly.
The report I've linked to is a far more accurate report than the one in the Herald.
I need to correct a number of assertions made by Bill Calvert (Letters, 21/4/09).
1) In Michael Jensen’s blog on the Sydney Anglicans website, he clearly identifies that he saw parts of Jerry Springer, the Musical when it was shown on the BBC.
2) The accusation that Michael would like to burn people at the stake for blasphemy is simply incorrect. Like his father (Unlikely trio defends freedom of speech, 27/3/09) & uncle, Michael has always been in favour of free speech, even when people use it to attack Christianity.
3) Whether Bill acknowledges it or not, Jesus is his, and everyone else’s Lord, and one day we will all have to answer for how we’ve treated him.
It is hard not to be cynical here - and to show that my point is proven. That is, the show NEEDS religious people to be shocked in order to sell tickets. No outraged = no tickets. So they had to manufacture some. They take my article, make it say what it really wasn't, sort of, and hey presto!!
Well I said that this was the cynical take...