AUDIO
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Archbishop Peter Jensen's Christmas Message 2011 on the centrality of Jesus to human history
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Like most music directors, I agonise over new songs. Picking a good tune is hard enough, but finding something which works well both musically and theologically is the real trick. We have lots of choices these days, of course. Just thinking of the local scene, we have Emu, Garage Hymnal, Michael Morrow, Trevor Hodge and Castle Hill all putting out some great material. Further afield, Sovereign Grace have been a staple at my church for years, though I must admit that the last couple of albums have been slightly disappointing. Chris Tomlin is another artist who we are using more and more, though his songs are a mixed bag theologically - the good ones are excellent, but some are pretty wet.
Another source I’m playing around with is “old time gospel”. This genre had it’s roots in North American folk music, and it’s songs straddle the divide between the classic hymns and contemporary Christian music. One such song we’ve done this year is “I Stand Amazed (How Marvelous)” by Charles H. Gabriel - the congregation love it! I found another old time song recently that I am keen to try. It’s called “I’ll Fly Away” -
Some glad morning when this life is o’er,
I’ll fly away;
To a home on God’s celestial shore,
I’ll fly away
I’ll fly away, Oh Glory
I’ll fly away;
When I die, Hallelujah, by and by,
I’ll fly away
When the shadows of this life have gone,
I’ll fly away;
Like a bird from prison bars has flown,
I’ll fly away
Just a few more weary days and then,
I’ll fly away;
To a land where joy shall never end,
I’ll fly away
I thought it was a sweet little song with charming lyrics, but a friend said to me, “Those lyrics are Platonic!”. And so we return to the issue of discernment. What theological criteria should our songs meet? Where are the best sources? And, most importantly, what do you think of “I’ll Fly Away”??


1. Works theologically AND
2. Works musically
However, a song that (i) honours God and (ii) edifies people requires us to break the above criteria into sub points. ie.
1. WORKS THEOLOGICALLY (biblically correct) -
1.1 Teaches evangelical doctrine
1.2 Clear themes, not too many
1.3 Content is fresh and interesting
1.3 Doesn't mix the persons of the Trinity (eg. Father Jesus, Lord God)
1.4 Mentions God or Jesus (sorry, but for me "I'll Fly Away" = fail as congregational song, but maybe as an Item)
Others? Probably, based on views of the Senior Minister
2. WORKS MUSICALLY -
2.1 Melody that is singable and memorable
2.2 Melody that compliments the words
2.3 Chords that are playable for the team
2.4 Arrangement that is playable for the team (or flexible)
2.5 Interesting progression from start to finish (eg. the song develops as it goes from Verse, Chorus, Verse, Chorus, Bridge, Chorus)
Others? Probably, based on views of a well trained Music Director who has a servants heart
I want the poetry of the Psalms, not necessarily the doctrinal statement of 1 Cor 15:1-11. I love both, but not singing 1 Cor 15 does the passage justice...
The tune is sweet; the lyrics wistfully escapist.
The vibe of this ditty is Gnostic, methinks: this life is a prison; the burdened spirit longs to shed its fleshly bonds and find ultimate refuge where it really belongs, somewhere beyond this world.
There are no new heavens and earth here.
And there is no submission to the divine will here; the only will present is that of the human subject. The happy otherworld where God is can be reached by resignation, aspiration, and flight.
All things considered, apart from the 'Hallelujah', there's nothing particularly Christian about this song.
YES, we want songs that emotionally move us. Happy to be corrected, or rather have another subpoint added :-)
God has given us emotions and this is an important element of us responding to the Spirit's prompting. Unfortunately though, it is highly subjective and what one is 'moved' by may be boring to another listener.
'I'll Fly Away' is vague enough to accommodate the NT themes you suggest. Yet:
- 1 Peter does not extol flying away somewhere else at the natural end of a weary life, but bearing up under the "fiery ordeal" of persecution, in the hope that Jesus would soon be coming here to sort things out.
- As for Paul's desire to depart (Phil 1:23?), it was to be with Christ, of whom there is no mention in 'I'll Fly Away'.
The NT emphasis seems to be more on the believer's proximity to Christ - God come near - whereas 'I'll Fly Away' is about leaving for another place away from it all: a fanciful, permanent holiday on God's "celestial shore".
It's as if one could buy a ticket...
I'm curious about Bren's not mixing the trinity point - which I agree with broadly - the Old Testament (in the Hebrew) pretty frequently calls God (the father) the Lord God - what are we to do with Old Testamenty songs that seek to repeat that scripture if we want to keep "Lord" with "Jesus"...
I don't think there is too little songs to choose from, just the opposite.
I have no problem with Fly Away for personal enjoyment.
The army chaplains have found their demographic to be highly visual so the use of music DVDs before and during the service has worked well. The latest Sons of Korah DVD & CD is a winner according to the Pressie chaplain. At the moment he is trialling Emu's latest offering, Songs for Little Rooms, a CD/DVD package on a number of recruits. There are songs on that CD that are worth introducing to a more traditional church setting that has its own musicians.
You said "What makes an emotionally engaging piece of music varies from person to person"
A relative of mine has recently begun an M.Ed in music education, and research (sorry, no links etc only hearsay) suggests, the Western Music Tradition is in fact more 'universal' than individual in its affective qualities. We like to think our music tastes are MINE, but in fact they are more OURS - which seems to be almost Christian... ;-0
And as an irrelevant but nice piece of trivia, Pythagorus is the real father of Western Music...
There's something credal about a lot of the older (say 50+ years ago) hymns. In singing them, we are also corporately declaring what we believe and what we will do. And the musical style reflects this bold, declarative language and music. I'm concerned that a significant portion of newer "hymns" lose this, being instead a meditation on God and us (and use more passive language and music).
In moderation, this is a good thing. But ultimately, pleasing meditation (as opposed to a prelude to confession) makes me feel good, rather than inspires action. Rallies chant slogans and read manifestos. Part of the role of Church must be to see ourselves as part of something bigger and motivate us to act on it. Thus, it's good to start with meditation, but end with a call to action.
I'd like to see modern songwriting do more of the latter, without necessarily neglecting the former.
Or your shoes. A parishioner pulled me up on that one ...
The Bible speaks of our resurrection and life with Christ in a renewed heaven and earth.
Cheers
I think some people are being a tad literal when considering 'Ill fly away'. It evokes a longing for being with Christ and being released from the 'prison' of this sinful body. Yes, its not 'two ways to live' but hope is an important concept in scripture that this generation often lacks - as we have such comfort in the here and now.
Let me illustrate my argument about some figurative songs being powerful and encouraging - this with a classic hymn- 'There is a fountain filled with blood' by William Cowper. Is there really a fountain filled with blood that flows from Immanuel's veins? And sinners plunged beneath that flood lose all their guilty stains there? Literally, no, figuratively speaking, Amen and praise God!
:)