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by Archbishop Peter Jensen
Archbishop Peter Jensen's Christmas Message 2011 on the centrality of Jesus to human history
Discerning a good song
Craig Schwarze
November 2nd, 2010

Like most music directors, I agonise over new songs. Picking a good tune is hard enough, but finding something which works well both musically and theologically is the real trick. We have lots of choices these days, of course. Just thinking of the local scene, we have Emu, Garage Hymnal, Michael Morrow, Trevor Hodge and Castle Hill all putting out some great material. Further afield, Sovereign Grace have been a staple at my church for years, though I must admit that the last couple of albums have been slightly disappointing. Chris Tomlin is another artist who we are using more and more, though his songs are a mixed bag theologically - the good ones are excellent, but some are pretty wet.

Another source I’m playing around with is “old time gospel”. This genre had it’s roots in North American folk music, and it’s songs straddle the divide between the classic hymns and contemporary Christian music. One such song we’ve done this year is “I Stand Amazed (How Marvelous)” by Charles H. Gabriel - the congregation love it! I found another old time song recently that I am keen to try. It’s called “I’ll Fly Away” -

Some glad morning when this life is o’er,
I’ll fly away;
To a home on God’s celestial shore,
I’ll fly away

I’ll fly away, Oh Glory
I’ll fly away;
When I die, Hallelujah, by and by,
I’ll fly away

When the shadows of this life have gone,
I’ll fly away;
Like a bird from prison bars has flown,
I’ll fly away

Just a few more weary days and then,
I’ll fly away;
To a land where joy shall never end,
I’ll fly away

I thought it was a sweet little song with charming lyrics, but a friend said to me, “Those lyrics are Platonic!”. And so we return to the issue of discernment. What theological criteria should our songs meet? Where are the best sources? And, most importantly, what do you think of “I’ll Fly Away”??

Bren McLean    02 November 2010 9:56pm
I agree with your 2 criteria:
1. Works theologically AND
2. Works musically

However, a song that (i) honours God and (ii) edifies people requires us to break the above criteria into sub points. ie.

1. WORKS THEOLOGICALLY (biblically correct) -
1.1 Teaches evangelical doctrine
1.2 Clear themes, not too many
1.3 Content is fresh and interesting
1.3 Doesn't mix the persons of the Trinity (eg. Father Jesus, Lord God)
1.4 Mentions God or Jesus (sorry, but for me "I'll Fly Away" = fail as congregational song, but maybe as an Item)
Others? Probably, based on views of the Senior Minister

2. WORKS MUSICALLY -
2.1 Melody that is singable and memorable
2.2 Melody that compliments the words
2.3 Chords that are playable for the team
2.4 Arrangement that is playable for the team (or flexible)
2.5 Interesting progression from start to finish (eg. the song develops as it goes from Verse, Chorus, Verse, Chorus, Bridge, Chorus)
Others? Probably, based on views of a well trained Music Director who has a servants heart

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Darren Waters    02 November 2010 11:28pm
Don't we love music that 'moves us?' I guess that's what Craig means by "works musically"...I don't want to be emotionally manipulated, but 'good music' enables the lyric not only to be remembered, but to 'be in the heart'. Sorry, Bren, but your analysis, as intelligent and 'correct' as it is, highlights for me what is missing in so many contemporary congregational songs...
I want the poetry of the Psalms, not necessarily the doctrinal statement of 1 Cor 15:1-11. I love both, but not singing 1 Cor 15 does the passage justice...

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Grant Hayes    02 November 2010 11:35pm
re 'I'll Fly Away':

The tune is sweet; the lyrics wistfully escapist.

The vibe of this ditty is Gnostic, methinks: this life is a prison; the burdened spirit longs to shed its fleshly bonds and find ultimate refuge where it really belongs, somewhere beyond this world.

There are no new heavens and earth here.

And there is no submission to the divine will here; the only will present is that of the human subject. The happy otherworld where God is can be reached by resignation, aspiration, and flight.

All things considered, apart from the 'Hallelujah', there's nothing particularly Christian about this song.

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Bren McLean    02 November 2010 11:40pm
@Darren
YES, we want songs that emotionally move us. Happy to be corrected, or rather have another subpoint added :-)
God has given us emotions and this is an important element of us responding to the Spirit's prompting. Unfortunately though, it is highly subjective and what one is 'moved' by may be boring to another listener.

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Craig Schwarze    03 November 2010 12:09am
@Bren - I like your categories, cheers!

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Craig Schwarze    03 November 2010 12:11am
@Darren - absolutely mate, and I don't want to get away from that either. What makes an emotionally engaging piece of music varies from person to person, but you are right that I see it coming under the "works musically" category.

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Craig Schwarze    03 November 2010 12:12am
@Grant, what about themes of exile and displacement in the NT, which see Peter describe us as "strangers in the world", and Paul torn between the desire to stay and the desire to go to Christ "which is better by far"?

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Grant Hayes    03 November 2010 1:12am
Craig,

'I'll Fly Away' is vague enough to accommodate the NT themes you suggest. Yet:

- 1 Peter does not extol flying away somewhere else at the natural end of a weary life, but bearing up under the "fiery ordeal" of persecution, in the hope that Jesus would soon be coming here to sort things out.

- As for Paul's desire to depart (Phil 1:23?), it was to be with Christ, of whom there is no mention in 'I'll Fly Away'.

The NT emphasis seems to be more on the believer's proximity to Christ - God come near - whereas 'I'll Fly Away' is about leaving for another place away from it all: a fanciful, permanent holiday on God's "celestial shore".

It's as if one could buy a ticket...

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Christopher Herrmann    03 November 2010 5:30am
Craig, US band Jars of Clay have a cracker version of "I'll Fly Away" among others of the old-time gospel/bluegrass variety. I would also highly recommend the work of Glory Revealed. They have found a great way to put Scripture to song in an acoustic setting.

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Craig Schwarze    03 November 2010 6:07am
@Grant - fair point. My enthusiasm for this song is diminishing...

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Craig Schwarze    03 November 2010 6:10am
@Christopher - I'll check out those links...

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Nathan Campbell    03 November 2010 7:08am
Well Craig, the good news is that Justin Bieber has just come out calling himself a Christian. Which means you can sing "Baby, Baby, Baby" so long as you change the lyrics to Jesus, Jesus, Jesus.

I'm curious about Bren's not mixing the trinity point - which I agree with broadly - the Old Testament (in the Hebrew) pretty frequently calls God (the father) the Lord God - what are we to do with Old Testamenty songs that seek to repeat that scripture if we want to keep "Lord" with "Jesus"...

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Angela Crittle    03 November 2010 9:39am
Best sources? The Psalms is a beginning and they can be done over and over with different tunes e.g., both Sons of Korah and Jason Coghill put the psalms to music with different results. And I'm a fan of several of the traditional hymns revitalized with new arrangements.

I don't think there is too little songs to choose from, just the opposite.

I have no problem with Fly Away for personal enjoyment.

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Craig Schwarze    03 November 2010 10:35am
@Nathan - hopefully Bieber wont go the way of Britney Speares with regards to a public profession followed by a spectacular fall...

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Craig Schwarze    03 November 2010 10:36am
@Angela, I quite like the Sons of Korah stuff, but not much of it I feel I could really use in church. Feels a bit too complicated and esoteric.

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Angela Crittle    03 November 2010 8:51pm
A church having its own musicians can be a luxury for some. I've been working in a Christian bookstore for 16 months now and have had the pleasure of recommending CDs and DVDs to a host of ministers, army chaplains and gaol chaplains who want the sort of music you've described in your article but don't have the musicians to play it. Their congregations are able to praise God in in song courtesy of some good Christian CDs and DVDs, which are the musicians for their church service.

The army chaplains have found their demographic to be highly visual so the use of music DVDs before and during the service has worked well. The latest Sons of Korah DVD & CD is a winner according to the Pressie chaplain. At the moment he is trialling Emu's latest offering, Songs for Little Rooms, a CD/DVD package on a number of recruits. There are songs on that CD that are worth introducing to a more traditional church setting that has its own musicians.

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Darren Waters    03 November 2010 9:58pm
@Craig,
You said "What makes an emotionally engaging piece of music varies from person to person"
A relative of mine has recently begun an M.Ed in music education, and research (sorry, no links etc only hearsay) suggests, the Western Music Tradition is in fact more 'universal' than individual in its affective qualities. We like to think our music tastes are MINE, but in fact they are more OURS - which seems to be almost Christian... ;-0
And as an irrelevant but nice piece of trivia, Pythagorus is the real father of Western Music...

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Darren Waters    03 November 2010 10:00pm
Having said all that, "I'll Fly Away" might be a great song, musically, but I agree that it lacks the clarity needed for congregational singing.

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Nathan Campbell    03 November 2010 10:36pm
@Craig - you'd be spewing if you'd added "Hit Me Baby One More Time" to the church music collection just prior to Britney's breakdown... or "Oops, I did it again", the first you could sing after a sermon on persecution, the second on repentance.

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Andrew White    04 November 2010 2:49am
As far as congregational singing goes, I'm also a little concerned about the shift from "declarative" to "meditative" style. As a package, congregational music should "express", "teach", "motivate" - express our feelings towards God, teach us about God, and motivate us to obey God. My worry is that in meditative style music we're losing the third in favour of the first.

There's something credal about a lot of the older (say 50+ years ago) hymns. In singing them, we are also corporately declaring what we believe and what we will do. And the musical style reflects this bold, declarative language and music. I'm concerned that a significant portion of newer "hymns" lose this, being instead a meditation on God and us (and use more passive language and music).

In moderation, this is a good thing. But ultimately, pleasing meditation (as opposed to a prelude to confession) makes me feel good, rather than inspires action. Rallies chant slogans and read manifestos. Part of the role of Church must be to see ourselves as part of something bigger and motivate us to act on it. Thus, it's good to start with meditation, but end with a call to action.

I'd like to see modern songwriting do more of the latter, without necessarily neglecting the former.

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Craig Schwarze    04 November 2010 6:12am
I'll have to check out the latest "Sons of Korah" - I haven't listened to those guys for years.

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Craig Schwarze    04 November 2010 6:12am
@Nathan - you crack me up mate! Serious question - do you do humour when you preach?

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Craig Schwarze    04 November 2010 6:13am
@Andrew - thanks for the thoughtful contribution. Could you give me a good example of a "declarative" song, and a good example of a "meditative" song?

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Nathan Campbell    04 November 2010 6:22am
@Craig, sometimes, though I haven't done it enough to say whether or not it'll be a regular feature. I like funny illustrations. I also like to think you shouldn't remove your personality from the pulpit...

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Tom Magill    04 November 2010 9:48pm
I also like to think you shouldn't remove your personality from the pulpit...


Or your shoes. A parishioner pulled me up on that one ...

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David McKay    05 November 2010 8:36pm
I'll Fly Away is a nice song, but we already have too many songs about going to heaven and giving people wrong information.

The Bible speaks of our resurrection and life with Christ in a renewed heaven and earth.

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Andrew West    07 November 2010 12:59am
@ Craig- You left 'Hillsong' off the 'local scene' list.

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David McKay    07 November 2010 2:03am
An evangelical professional classically-trained musician attended a Sunday afternoon singalong of old hymns recently. My friend remarked that there are lots of grand old hymns, but they seemed to want to sing the also-rans!

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Craig Schwarze    07 November 2010 2:15am
Interesting comment David - would love to get a list from you of what are the really good old hymns, and which ones you believe are famous beyond their merit.

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Ernest Burgess    07 November 2010 8:07am
Craig a hymn I have rediscovered lately is Fairest Lord Jesus in the Hymn book check it out.
Cheers

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Amy Isham    08 November 2010 7:01am
Just to disagree with a few people here - I think there is a place for songs that may not appear to fit our standards of 'good musically and good theologically'. Negro spirituals and choruses that are light on words and therefore light on explanation of key doctrines can still have a place - especially if they are explained or enjoyed amongst other tightly packed songs and hymns.

I think some people are being a tad literal when considering 'Ill fly away'. It evokes a longing for being with Christ and being released from the 'prison' of this sinful body. Yes, its not 'two ways to live' but hope is an important concept in scripture that this generation often lacks - as we have such comfort in the here and now.

Let me illustrate my argument about some figurative songs being powerful and encouraging - this with a classic hymn- 'There is a fountain filled with blood' by William Cowper. Is there really a fountain filled with blood that flows from Immanuel's veins? And sinners plunged beneath that flood lose all their guilty stains there? Literally, no, figuratively speaking, Amen and praise God!

:)

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Gill Evans    08 November 2010 11:14pm
And another oldie but a goldie is "Christ is the King" in the old "blue book" in the Australian supplement at the back. S 16. got some old fashioned words, but the truths remain. I want it sung at my funeral. Ditto "How good is the God we adore" - only two verses.

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