The world of family with its mundane dramas and its ordinary victories is sometimes perceived as the domain of light or lesser fiction. Important literature calls for a broader scope and greater passions than the familial. Minutiae, it seems, is the enemy of literary excellence. This attitude to literature is particularly irksome to Canadian novelist, Carol Shields. A writer of ten novels and a collection of plays, short stories and poetry anthologies, she has often been relegated to the sunny end of fiction. Her latest, and probably last, novel Unless takes issue with this criticism of miniaturists and particularly the exclusion of women writers from major collections.


















