The novels of Robert Drewe are peopled by men and women ill at ease with their environs. His characters are often searching for or escaping from something. But Drewe is rarely content to focus solely on the individual; grander themes of social responsibility and morality are usually at work behind the human drama. His novel Grace is no exception. Ostensibly a thriller "“ a woman on the run from a stalker "“ the surface narrative is imbued with reflections on the way our society treats refugees.






















